Heralded as one of Indian dance world's most venerated lurker's is Folic State, an uncanny and strange moniker. An illustrious producer, his music explores the tension between light and dark, formulating expansive soundscapes amongst warm, driving percussion. The enigmatic producer has been holed up in the outskirts of the great Indian metropolis consistently producing top dance tracks for the last few years, which has won him a strong fan base both, locally and globally. His debut EP Vulgar Story, laid the foundation for a series of successful releases on renowned labels that have hit the charts. Be it his Dj sets or own productions, Folic State weaves a story of sound; decidedly buoyant through its moments of clarity, and pensive and introspective when concealed. Folic state was handpicked by Techno icon, DUBFIRE as one of the finalists from the Sci+Tec mentoring competition late 2019. With immense support from the Indian and international community, it's safe to say, folic state is here to stay!
Your remix of Murthovic's track in collaboration with Antariksha Sanchar is quite a unique project. How was the experience?
Yes, Its definitely one of the most interesting projects ive worked on. Im glad and honoured to be part of it. Its a super cool concept. Initially I had no clue what to do or where to begin. It was a first for me - remixing a song with indian classical instruments. Was wondering how I’d use these sounds for a club track. I had a long chat with Murthy, about the project and what exactly he was looking for, that really helped me decide which direction I should take it. Eventually, I kept it minimal. Am glad he’s happy with the end result.
Tell us, what does a typical day in the studio mean to you?
Its super random, there are days where i have an idea in my head and begin working on it. There are times when i work with nothing in mind. though I aim to spend 7-8 hours working or just messing around to create inspiration, if none. Many factors influence my sound - nature, art, colleagues, friends, challenges, idols, the sun and the moon.
How has the struggle been so far to your current stand?
Oh its been real, its not as easy it is seems. There is an insane amount of hustle involved. Its taken me many years to get where i am, i have to admit, its been frustrating at times. Though its yet not the end.. There’s way more to go. A lot of people want to jump on the bandwagon, with the perception its cool and glamorous. But they’re highly mistaken. There’s a lot more to it.
From Qilla records to Occultech and Soupherb, you have released music with some of the frontrunners of the industry, which label was your first and how difficult it was?
My first release was with Soupherb Records, founded by Ash Roy and Ashvin Mani Sharma (Calm Chor) I wont forget the time i sent them demos. It was summer 2013, they were in Berlin. I had sent them about 4-5 tracks, A few days later i get a positive response, they really liked what they heard. I was delighted as it was my debut 5 track EP (Vulgar Story) I will forever be grateful to them, they've been amazing mentors. Hard work pays off! Its not about how difficult it is, Its about how good your work is. And more importantly if the music fits the labels vibe and vision. If you nail that, its a cakewalk.
Is the path ahead more struggling or does it get better from here?
There’s always going to be a struggle in any field, especially when you’re either freelancing or an independent artist. The market is volatile. You can have great months and a few downers as well. You gotta be up for it. Its part of the job.
Why did you choose this career? Do you think there are other reasons to choose too?
Ive been exposed to heaps of music since i was a kid, always wanted to be in the music business. Around 2000 was my first shot behind the console, Mixing psychedelic music, with friends at small gatherings. Since then i didn't look back. I knew this is what I wanted to do. Post my graduation i did a diploma in audio engineering at SAE, that led me to produce my own music professionally.
Not necessarily monetary, how have the rewards been so far in this career?
I cannot complain. Its been amazing so far. Especially when an icon like Dubfire recognises your work. I absolutely have no regrets. Ive got to work with amazing artists, played at great values, travelled and made good relationships over the years. Learnt hepas from peers. It's truly been an amazing ride.
As an upcoming artist with tough competition, what struggles and challenges do you face?
It indeed is a tough industry given the fact that there are heaps of producers out there. But that doesn't bother me. I compete with myself, not my peers. I aim to get stronger with every release. At times you can get overwhelmed with the whole situation. There could be dry spells in terms of gigs, you can get into a writer's block, you will face rejection by labels, there will be days with no inspiration but don't let that affect you. It only makes you better and stronger.
Top 5 labels Folic State chooses -
Sci+Tec, Plus 8, Senso Sounds, Rukus and Affin
Not necessarily monetary, how have the rewards been so far in this career?
I cannot complain. Its been amazing so far. Especially when an icon like Dubfire recognises your work. I absolutely have no regrets. Ive got to work with amazing artists, played at great values, travelled and made good relationships over the years. Learnt hepas from peers. It's truly been an amazing ride.
Why did you choose this career? Do you think there are other reasons to choose too?
Ive been exposed to heaps of music since i was a kid, always wanted to be in the music business. Around 2000 was my first shot behind the console, Mixing psychedelic music, with friends at small gatherings. Since then i didn't look back. I knew this is what I wanted to do. Post my graduation i did a diploma in audio engineering at SAE, that led me to produce my own music professionally.
With multiple releases across labels, what would be your advice to youngsters on the same path?
Dont give up, stay focussed, research on the label is a must and the sound they are pushing etc. Avoid sending music until you’re happy with the end result. Always send them about 2-3 tracks and be patient for a response.
And how is the support from industry peer's?
It varies to be honest. But ive been lucky to have their support. Ive learnt a lot from them. Its always beneficial to share knowledge, mixing/ production techniques, supporting each other. Thats the way we grow!
What’s coming up for You down the road?
Working on a bunch of stuff, 2 remixes for Eme Kulhnek and Peku, 3 collaborative EP’s with Verv, Anina Owly, Reclaim. Look forward to releasing some of my ambient music soon. Last but not the least working on an EP for sci-tec.
Well, thank you once again for spending time with us, giving us valuable insight in to your career. We wish you all the very best of luck in your endeavours. See you soon at a club.
The Music community needs your support!
Join us & help support independent music journalism. Read new artist interviews every week.
Follow us on Instagram